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Lynyrd Skynyrd performed a concert at Ryman Auditorium in 2022 for PBS. It was the final concert to ever be taped and recorded featuring Gary Rossington. They brought out a bunch of guest performers throughout the show, including Jelly Roll. This is my personal favorite song that Skynyrd ever wrote, and let me tell ya something, at the end, when Jelly Roll was bowing down to Gary, and just smiling and embracing Gary, it genuinely brought a tear to my eye. Gary is my idol, the guy that got me to pick up a guitar and start playing, and I'm so grateful that they recorded this show, and gave us one last time seeing Gary absolutely shred that beautiful Les Paul. #lynyrdskynyrd #music #fyp

Lynyrd Skynyrd - Freebird
Recorded Live: 7/2/1977 - Oakland Coliseum Stadium - Oakland, CA
More Lynyrd Skynyrd at Music Vault: http://www.musicvault.com
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Personnel:
Ronnie Van Zant - vocals
Allen Collins - guitar
Gary Rossington - guitar
Steve Gaines - guitar
Artimus Pyle - drums
Leon Wilkeson - bass
Billy Powell - piano
Cassie Gaines - vocals
Jo Billingsley - vocals
Leslie Hawkins - vocals

Summary:
Just three and a half months before the fateful plane crash that killed Skynyrd members Steve Gaines, his sister, backing vocalist Cassie Gaines (of the Honkettes), and lead vocalist Ronnie Van Zandt, Lynyrd Skynyrd played this 4th of July weekend program in Oakland.

While this is only a partial recording of the show, two of the three songs are probably the ones you would skip to anyway: "Sweet Home Alabama" and the legendary closing track that has inspired legions of concert-going yokels to make millions of ironic requests over the years, "Free Bird." The first track is an excerpt of a standard Skynyrd live show cover, Jimmie Rodgers' "T for Texas" The guys take six minutes to stretch their legs on this version of "Sweet Home Alabama." The song had been released three years prior as a response song to the Neil Young numbers "Southern Man" and "Alabama," which were both critical of southern politics. Ironically, by some reports, Van Zant was wearing a Neil Young t-shirt at the time of this performance.

The show is closed with "Free Bird," which by many fans' estimations is only rivaled by Led Zeppelin's "Stairway to Heaven" as the most epic closing song in rock history. Allen Collins handles most of the five-minute solo, while Gary Rossington plays the "bird-chirp" guitar parts, which are not on the original recording, as well as the slide work on the opening riffs. Billy Powell also plays a masterful piano solo that is unique to the live show.

While Lynyrd Skynyrd would release the multi-platinum Street Survivors in October of 1977, the band's structure would be fundamentally devastated by the crash of their private Convair 240 that took the lives of three members, as well as the pilots and assistant road manager Dean Kilpatrick, and terribly injured every other member, except for Honkette, JoJo Billingsley, who was at home with her children and had reportedly begged the band to quit using the plane after dreaming of such a crash.

From the ashes of this Skynyrd incarnation, Van Zant's younger brother, Johnny, stepped in and made Lynyrd Skynyrd a popular band once more when they reformed in 1987. Lynyrd Skynyrd is planning to release an unearthed recording of pre-plane crash Skynyrd in 2009.

Lynyrd Skynyrd - Gimme Back My Bullets
Recorded Live: 3/7/1976 - Winterland - San Francisco, CA
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Personnel:
Ronnie Van Zant - vocals
Gary Rossington - guitar
Allen Collins - guitar
Billy Powell - keyboards
Leon Wilkinson - bass
Artimus Pyle - drums
JoJo Billingsley - backing vocals
Cassie Gaines - backing vocals
Leslie Hawkins - backing vocals

Summary:
After years of life on the road and with their role models, the Allman Brothers Band, struggling to survive the deaths of two of its most distinctively talented members, today Lynyrd Skynyrd has become the quintessential Southern Rock band. Under the leadership of frontman and primary songwriter Ronnie Van Zant, the group's melodic lyric driven ballads and power driven hard rockers would catapult the group into one of the most popular touring bands in the world. The group's distinctive guitar attack, combined with an overtly defiant and rebellious attitude, gave them a cultural identity that would help make songs like "Sweet Home Alabama" and "Free Bird" into anthems of American rock music and staples of FM radio right up to the present day.

Headlining a bill that also featured the Outlaws, this Winterland recording captures Lynyrd Skynyrd following the release of their fourth album, Gimme Back My Bullets. This was during a transitional phase for the band, following the departure of guitarist Ed King, but prior to his replacement, Steve Gaines, coming on board. The band was carrying on as a six-piece unit, augmented by the Honkettes on backing vocals.

This is an interesting time to hear the band live, as their trademark three-guitar attack was reduced by one guitar, leaving more room for keyboardist Billy Powell. On the ballads, like "Tuesdays Gone" and the pre-jam verses of "Freebird," Powell displays great creativity and expands the keyboard's role in these songs.

Otherwise, the band rocks as hard as ever, with a good selection of their most popular songs, sampling a bit from all four of their studio albums. The group's defiant Southern swagger, combined with an infectious guitar and piano driven groove, creates an irresistible combination that resonated far beyond the Southern states. Two of the standouts on this show are both well chosen covers, which the band redefines as their own; J.J. Cale's "Call Me The Breeze" and Jimmy Rogers' "T For Texas." Both of these are rearranged in classic Skynyrd style, with the latter closing the set and clearly displaying the root sound of the band at its best.

The audience demands an encore and the band obliges with a monumental "Free Bird." It begins as a plaintive slow ballad, with Van Zant's distinctively sad vocals over the melodic keyboard playing of Powell and delicate slide guitar ornamentation from Rossington. However, it is the second section, which becomes an up-tempo guitar boogie, that really hits home. Here the guitarists cut loose to create one of the most distinctive solos of all time. Rossington and Collins turn this section into a soaring jam that also features impressive melodic bass playing from Wilkeson and furious keyboards from Powell. Following a brief reprise of the song, they turn on a dime back into the groove of the jam before bringing it to a climactic close.

"Free Bird," more often than not, sarcastically, would become the most requested song of all time. For musicians, this inevitable request has become so tiresome, that the act of requesting it has become universally known as "the mantra of the moron." Still, this only goes to prove just how deeply this song has permeated American culture and is a testament to its enduring popularity, making it one of the true landmark rock songs of twentieth century music.

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