Lynyrd Skynyrd - Full Concert
Recorded Live: 3/7/1976 - Winterland (San Francisco, CA)

More Lynyrd Skynyrd at Music Vault: http://www.musicvault.com
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Setlist:
0:00:00 - Cry for The Bad Man
0:05:26 - Saturday Night Special
0:11:02 - Searchin'
0:14:55 - I Got The Same Old Blues
0:19:24 - Gimme Back My Bullets
0:23:27 - Tuesday's Gone
0:31:12 - The Needle And The Spoon
0:35:55 - Gimme Three Steps
0:40:30 - Call Me The Breeze
0:45:55 - Sweet Home Alabama
0:51:22 - T For Texas
1:01:06 - Free Bird

Personnel:
Ronnie Van Zant - vocals
Gary Rossington - guitar
Allen Collins - guitar
Billy Powell - keyboards
Leon Wilkinson - bass
Artimus Pyle - drums
JoJo Billingsley - backing vocals
Cassie Gaines - backing vocals
Leslie Hawkins - backing vocals

Summary:
After years of life on the road and with their role models, the Allman Brothers Band, struggling to survive the deaths of two of its most distinctively talented members, today Lynyrd Skynyrd has become the quintessential Southern Rock band. Under the leadership of frontman and primary songwriter Ronnie Van Zant, the group's melodic lyric driven ballads and power driven hard rockers would catapult the group into one of the most popular touring bands in the world. The group's distinctive guitar attack, combined with an overtly defiant and rebellious attitude, gave them a cultural identity that would help make songs like "Sweet Home Alabama" and "Free Bird" into anthems of American rock music and staples of FM radio right up to the present day.

Headlining a bill that also featured the Outlaws, this Winterland recording captures Lynyrd Skynyrd following the release of their fourth album, Gimme Back My Bullets. This was during a transitional phase for the band, following the departure of guitarist Ed King, but prior to his replacement, Steve Gaines, coming on board. The band was carrying on as a six-piece unit, augmented by the Honkettes on backing vocals.

This is an interesting time to hear the band live, as their trademark three-guitar attack was reduced by one guitar, leaving more room for keyboardist Billy Powell. On the ballads, like "Tuesdays Gone" and the pre-jam verses of "Freebird," Powell displays great creativity and expands the keyboard's role in these songs.

Otherwise, the band rocks as hard as ever, with a good selection of their most popular songs, sampling a bit from all four of their studio albums. The group's defiant Southern swagger, combined with an infectious guitar and piano driven groove, creates an irresistible combination that resonated far beyond the Southern states. Two of the standouts on this show are both well chosen covers, which the band redefines as their own; J.J. Cale's "Call Me The Breeze" and Jimmy Rogers' "T For Texas." Both of these are rearranged in classic Skynyrd style, with the latter closing the set and clearly displaying the root sound of the band at its best.

The audience demands an encore and the band obliges with a monumental "Free Bird." It begins as a plaintive slow ballad, with Van Zant's distinctively sad vocals over the melodic keyboard playing of Powell and delicate slide guitar ornamentation from Rossington. However, it is the second section, which becomes an up-tempo guitar boogie, that really hits home. Here the guitarists cut loose to create one of the most distinctive solos of all time. Rossington and Collins turn this section into a soaring jam that also features impressive melodic bass playing from Wilkeson and furious keyboards from Powell. Following a brief reprise of the song, they turn on a dime back into the groove of the jam before bringing it to a climactic close.

"Free Bird," more often than not, sarcastically, would become the most requested song of all time. For musicians, this inevitable request has become so tiresome, that the act of requesting it has become universally known as "the mantra of the moron." Still, this only goes to prove just how deeply this song has permeated American culture and is a testament to its enduring popularity, making it one of the true landmark rock songs of twentieth century music.

Lynyrd Skynyrd - Gimme Back My Bullets
Recorded Live: 3/7/1976 - Winterland - San Francisco, CA
More Lynyrd Skynyrd at Music Vault: http://www.musicvault.com
Subscribe to Music Vault on YouTube: http://goo.gl/DUzpUF

Personnel:
Ronnie Van Zant - vocals
Gary Rossington - guitar
Allen Collins - guitar
Billy Powell - keyboards
Leon Wilkinson - bass
Artimus Pyle - drums
JoJo Billingsley - backing vocals
Cassie Gaines - backing vocals
Leslie Hawkins - backing vocals

Summary:
After years of life on the road and with their role models, the Allman Brothers Band, struggling to survive the deaths of two of its most distinctively talented members, today Lynyrd Skynyrd has become the quintessential Southern Rock band. Under the leadership of frontman and primary songwriter Ronnie Van Zant, the group's melodic lyric driven ballads and power driven hard rockers would catapult the group into one of the most popular touring bands in the world. The group's distinctive guitar attack, combined with an overtly defiant and rebellious attitude, gave them a cultural identity that would help make songs like "Sweet Home Alabama" and "Free Bird" into anthems of American rock music and staples of FM radio right up to the present day.

Headlining a bill that also featured the Outlaws, this Winterland recording captures Lynyrd Skynyrd following the release of their fourth album, Gimme Back My Bullets. This was during a transitional phase for the band, following the departure of guitarist Ed King, but prior to his replacement, Steve Gaines, coming on board. The band was carrying on as a six-piece unit, augmented by the Honkettes on backing vocals.

This is an interesting time to hear the band live, as their trademark three-guitar attack was reduced by one guitar, leaving more room for keyboardist Billy Powell. On the ballads, like "Tuesdays Gone" and the pre-jam verses of "Freebird," Powell displays great creativity and expands the keyboard's role in these songs.

Otherwise, the band rocks as hard as ever, with a good selection of their most popular songs, sampling a bit from all four of their studio albums. The group's defiant Southern swagger, combined with an infectious guitar and piano driven groove, creates an irresistible combination that resonated far beyond the Southern states. Two of the standouts on this show are both well chosen covers, which the band redefines as their own; J.J. Cale's "Call Me The Breeze" and Jimmy Rogers' "T For Texas." Both of these are rearranged in classic Skynyrd style, with the latter closing the set and clearly displaying the root sound of the band at its best.

The audience demands an encore and the band obliges with a monumental "Free Bird." It begins as a plaintive slow ballad, with Van Zant's distinctively sad vocals over the melodic keyboard playing of Powell and delicate slide guitar ornamentation from Rossington. However, it is the second section, which becomes an up-tempo guitar boogie, that really hits home. Here the guitarists cut loose to create one of the most distinctive solos of all time. Rossington and Collins turn this section into a soaring jam that also features impressive melodic bass playing from Wilkeson and furious keyboards from Powell. Following a brief reprise of the song, they turn on a dime back into the groove of the jam before bringing it to a climactic close.

"Free Bird," more often than not, sarcastically, would become the most requested song of all time. For musicians, this inevitable request has become so tiresome, that the act of requesting it has become universally known as "the mantra of the moron." Still, this only goes to prove just how deeply this song has permeated American culture and is a testament to its enduring popularity, making it one of the true landmark rock songs of twentieth century music.

Lynyrd Skynyrd performed a concert at Ryman Auditorium in 2022 for PBS. It was the final concert to ever be taped and recorded featuring Gary Rossington. They brought out a bunch of guest performers throughout the show, including Jelly Roll. This is my personal favorite song that Skynyrd ever wrote, and let me tell ya something, at the end, when Jelly Roll was bowing down to Gary, and just smiling and embracing Gary, it genuinely brought a tear to my eye. Gary is my idol, the guy that got me to pick up a guitar and start playing, and I'm so grateful that they recorded this show, and gave us one last time seeing Gary absolutely shred that beautiful Les Paul. #lynyrdskynyrd #music #fyp

Lynyrd Skynyrd - That Smell
Recorded Live: 7/13/1977 - Convention Hall - Asbury Park, NJ
More Lynyrd Skynyrd at Music Vault: http://www.musicvault.com
Subscribe to Music Vault on YouTube: http://goo.gl/DUzpUF

Personnel:
Ronnie Van Zant - Vocals
Allen Collins - Guitar
Steve Gaines - Guitar, Vocals
Gary Rossington - Guitar
Leon Wilkeson - Bass, Background Vocals
Billy Powell - Piano
Artimus Pyle - Drums
Cassie Gaines - Background Vocals
Leslie Hawkins - Background Vocals
Jo Jo Billingsly - Background Vocals

Lynyrd Skynyrd - Tuesday's Gone
Recorded Live: 3/7/1976 - Winterland - San Francisco, CA
More Lynyrd Skynyrd at Music Vault: http://www.musicvault.com
Subscribe to Music Vault on YouTube: http://goo.gl/DUzpUF

Personnel:
Ronnie Van Zant - vocals
Gary Rossington - guitar
Allen Collins - guitar
Billy Powell - keyboards
Leon Wilkinson - bass
Artimus Pyle - drums
JoJo Billingsley - backing vocals
Cassie Gaines - backing vocals
Leslie Hawkins - backing vocals

Summary:
After years of life on the road and with their role models, the Allman Brothers Band, struggling to survive the deaths of two of its most distinctively talented members, today Lynyrd Skynyrd has become the quintessential Southern Rock band. Under the leadership of frontman and primary songwriter Ronnie Van Zant, the group's melodic lyric driven ballads and power driven hard rockers would catapult the group into one of the most popular touring bands in the world. The group's distinctive guitar attack, combined with an overtly defiant and rebellious attitude, gave them a cultural identity that would help make songs like "Sweet Home Alabama" and "Free Bird" into anthems of American rock music and staples of FM radio right up to the present day.

Headlining a bill that also featured the Outlaws, this Winterland recording captures Lynyrd Skynyrd following the release of their fourth album, Gimme Back My Bullets. This was during a transitional phase for the band, following the departure of guitarist Ed King, but prior to his replacement, Steve Gaines, coming on board. The band was carrying on as a six-piece unit, augmented by the Honkettes on backing vocals.

This is an interesting time to hear the band live, as their trademark three-guitar attack was reduced by one guitar, leaving more room for keyboardist Billy Powell. On the ballads, like "Tuesdays Gone" and the pre-jam verses of "Freebird," Powell displays great creativity and expands the keyboard's role in these songs.

Otherwise, the band rocks as hard as ever, with a good selection of their most popular songs, sampling a bit from all four of their studio albums. The group's defiant Southern swagger, combined with an infectious guitar and piano driven groove, creates an irresistible combination that resonated far beyond the Southern states. Two of the standouts on this show are both well chosen covers, which the band redefines as their own; J.J. Cale's "Call Me The Breeze" and Jimmy Rogers' "T For Texas." Both of these are rearranged in classic Skynyrd style, with the latter closing the set and clearly displaying the root sound of the band at its best.

The audience demands an encore and the band obliges with a monumental "Free Bird." It begins as a plaintive slow ballad, with Van Zant's distinctively sad vocals over the melodic keyboard playing of Powell and delicate slide guitar ornamentation from Rossington. However, it is the second section, which becomes an up-tempo guitar boogie, that really hits home. Here the guitarists cut loose to create one of the most distinctive solos of all time. Rossington and Collins turn this section into a soaring jam that also features impressive melodic bass playing from Wilkeson and furious keyboards from Powell. Following a brief reprise of the song, they turn on a dime back into the groove of the jam before bringing it to a climactic close.

"Free Bird," more often than not, sarcastically, would become the most requested song of all time. For musicians, this inevitable request has become so tiresome, that the act of requesting it has become universally known as "the mantra of the moron." Still, this only goes to prove just how deeply this song has permeated American culture and is a testament to its enduring popularity, making it one of the true landmark rock songs of twentieth century music.

Official Audio for Gimme Back My Bullets performed by Lynyrd Skynyrd

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#LynyrdSkynyrd #GimmeBackMyBullets

http://vevo.ly/wmXJHg

Order "Live At Knebworth '76": https://mercury-studios.lnk.to..../LynyrdSkynyrdKnebwo

On August 21, 1976, Lynyrd Skynyrd took the stage at Knebworth as part of a daylong festival which also included Todd Rundgren’s Utopia, 10cc and The Rolling Stones. The show has gone down in Lynyrd Skynyrd history as one of the band’s greatest performances. The 1976 Knebworth show features Ronnie Van Zant’s iconic vocals and their famed triple guitar attack of Gary Rossington, Allen Collins and Steve Gaines in front of a crowd estimated between 150,000 and 200,000. Their entire performance from that day is here for you to witness the classic Lynyrd Skynyrd in all its glory with cleaned up visuals and remixed audio, available on DVD+CD, Blu-ray+CD and DVD+2LP.

Lynyrd Skynyrd
Metro Center, Rockford, IL
May 9, 1995

AUD - 1st Gen VHS - SA - DVD - MY HDD

These guys put on one BADASS show. ENJOY IT!!!!


SET LIST
Workin' For MCA
I Ain't The One
Saturday Night Special
Down South Junkin'
Double Trouble
I Know A Little
T For Texas
Devil In A Bottle
Simple Man
That Smell
Cry For The Bad Man
Whiskey Rock-a-Roller
What's Your Name
Gimme Three Steps
Sweet Home Alabama
Freebird

Band line-up
Johnny Van Zant - vocals
Gary Rossington - guitar (passed March 5, 2023 age 71)
Ed King - guitar (passed Aug. 22, 2018, aged 68)
Leon Wilkeson - bass, vocals (passed July 27, 2001, aged 49)
Billy Powell - keyboards (passed Jan. 28, 2009, aged 56)
Mike Estes - guitar
Owen Hale - drums, percussion
Dale Krantz Rossington - background vocals
Debbie Bailey - background vocals

Video

ID : 224 (0xE0)
Format : MPEG Video
Format version : Version 2
Format profile : Main@Main
Format settings, BVOP : Yes
Format settings, Matrix : Custom
Format settings, GOP : M=3, N=15
Bit rate mode : Variable
Bit rate : 5 173 Kbps
Maximum bit rate : 9 586 Kbps
Width : 704 pixels
Height : 480 pixels
Display aspect ratio : 4:3
Frame rate : 29.970 fps
Standard : NTSC
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Interlaced
Scan order : Top Field First


Audio
ID : 189 (0xBD)-128 (0x80)
Format : AC-3
Format/Info : Audio Coding 3
Mode extension : CM (complete main)
Format settings, Endianness : Big
Muxing mode : DVD-Video
Bit rate mode : Constant
Bit rate : 256 Kbps
Channel(s) : 2 channels
Channel positions : Front: L R
Sampling rate : 48.0 KHz
Bit depth : 16 bits

Watch Lynyrd Skynyrd's live performance of "Free Bird", taken from the album "Live In Atlantic City"!
Get the album here: https://lynyrdskynyrd.lnk.to/LiveInAtlanticCity

Available on
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Earlier this year Lynyrd Skynyrd performed their first two studio albums, “Pronounced 'Lĕh-'nérd 'Skin-'nérd” and “Second Helping”, live in their entirety for the first time, at two specially staged concerts at the Florida Theatre in their home town of Jacksonville, Florida..

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Music video by Lynyrd Skynyrd performing Sweet Home Alabama. (C) 2015 Skynryd Partnership, exclusively licensed to Eagle Rock Entertainment Ltd

http://vevo.ly/n63N3F

Lynyrd Skynyrd - Freebird
Recorded Live: 7/2/1977 - Oakland Coliseum Stadium - Oakland, CA
More Lynyrd Skynyrd at Music Vault: http://www.musicvault.com
Subscribe to Music Vault on YouTube: http://goo.gl/DUzpUF

Personnel:
Ronnie Van Zant - vocals
Allen Collins - guitar
Gary Rossington - guitar
Steve Gaines - guitar
Artimus Pyle - drums
Leon Wilkeson - bass
Billy Powell - piano
Cassie Gaines - vocals
Jo Billingsley - vocals
Leslie Hawkins - vocals

Summary:
Just three and a half months before the fateful plane crash that killed Skynyrd members Steve Gaines, his sister, backing vocalist Cassie Gaines (of the Honkettes), and lead vocalist Ronnie Van Zandt, Lynyrd Skynyrd played this 4th of July weekend program in Oakland.

While this is only a partial recording of the show, two of the three songs are probably the ones you would skip to anyway: "Sweet Home Alabama" and the legendary closing track that has inspired legions of concert-going yokels to make millions of ironic requests over the years, "Free Bird." The first track is an excerpt of a standard Skynyrd live show cover, Jimmie Rodgers' "T for Texas" The guys take six minutes to stretch their legs on this version of "Sweet Home Alabama." The song had been released three years prior as a response song to the Neil Young numbers "Southern Man" and "Alabama," which were both critical of southern politics. Ironically, by some reports, Van Zant was wearing a Neil Young t-shirt at the time of this performance.

The show is closed with "Free Bird," which by many fans' estimations is only rivaled by Led Zeppelin's "Stairway to Heaven" as the most epic closing song in rock history. Allen Collins handles most of the five-minute solo, while Gary Rossington plays the "bird-chirp" guitar parts, which are not on the original recording, as well as the slide work on the opening riffs. Billy Powell also plays a masterful piano solo that is unique to the live show.

While Lynyrd Skynyrd would release the multi-platinum Street Survivors in October of 1977, the band's structure would be fundamentally devastated by the crash of their private Convair 240 that took the lives of three members, as well as the pilots and assistant road manager Dean Kilpatrick, and terribly injured every other member, except for Honkette, JoJo Billingsley, who was at home with her children and had reportedly begged the band to quit using the plane after dreaming of such a crash.

From the ashes of this Skynyrd incarnation, Van Zant's younger brother, Johnny, stepped in and made Lynyrd Skynyrd a popular band once more when they reformed in 1987. Lynyrd Skynyrd is planning to release an unearthed recording of pre-plane crash Skynyrd in 2009.

Available on
► Digital: http://smarturl.it/LynSkyFADigital
► DVD: http://smarturl.it/LynSkyFloridaDVD
► BR: http://smarturl.it/LynSkyFloridaBR
► CD: http://smarturl.it/LynSkyFloridaCD
Earlier this year Lynyrd Skynyrd performed their first two studio albums, “Pronounced 'Lĕh-'nérd 'Skin-'nérd” and “Second Helping”, live in their entirety for the first time, at two specially staged concerts at the Florida Theatre in their home town of Jacksonville, Florida..

Follow EagleRock:
https://www.facebook.com/EagleRockEnt
https://twitter.com/EagleRocknews

Music video by Lynyrd Skynyrd performing Simple Man. (C) 2015 Skynryd Partnership, exclusively licensed to Eagle Rock Entertainment Ltd

http://vevo.ly/V2PV1c

#LynyrdSkynyrd #SimpleMan #Vevo

New album ‘2020’ out now
https://BonJovi.lnk.to/2020-TheAlbum

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Music video by Bon Jovi performing Wanted Dead Or Alive. (C) 2003 The Island Def Jam Music Group
#BonJovi #WantedDeadOrAlive #Remastered

This Video contains the following songs:
00:00 Eye of The Tiger - Survivor
03:18 Don’t stop Believin - Journey
05:43 Sweet Child O’ Mine
09:14 Somebody - Bryan Adams
11:58 Living on a Prayer - Bon Jovi
15:46 I Was Made for Lovin You - Kiss
21:06 Jump - Van Halen
23:39 Summer of ’69 - Bryan Adams
26:36 Another Brick in The Wall - Pink Floyd

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Classic Rock Music - Video Mix
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Official music video for “Black Betty” by Ram Jam
Listen to Ram Jam: https://RamJam.lnk.to/bestofYD

Subscribe to Ram Jam on YouTube: https://RamJam.lnk.to/subscribeYD

Follow Ram Jam:
Facebook: https://RamJam.lnk.to/followFI
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Lyrics:
Whoa, Black Betty (Bam-ba-Lam)
Whoa, Black Betty (Bam-ba-Lam)
Black Betty had a child (Bam-ba-Lam)
The damn thing gone wild (Bam-ba-Lam)
She said, "I'm worryin' outta mind" (Bam-ba-Lam)
The damn thing gone blind (Bam-ba-Lam)
I said "Oh, Black Betty" (Bam-ba-Lam)
Whoa, Black Betty (Bam-ba-Lam)
Oh, Black Betty (Bam-ba-Lam)
Whoa, Black Betty (Bam-ba-Lam)
She really gets me high (Bam-ba-Lam)
You know that's no lie (Bam-ba-Lam)
She's so rock steady (Bam-ba-Lam)
And she's always ready (Bam-ba-Lam)
Whoa, Black Betty (Bam-ba-Lam)
Whoa, Black Betty (Bam-ba-Lam)
Whoa, Black Betty (Bam-ba-Lam)
Whoa, Black Betty (Bam-ba-Lam)
She's from Birmingham (Bam-ba-Lam)
Way down in Alabam' (Bam-ba-Lam)
Well, she's shakin' that thing (Bam-ba-Lam)
Boy, she makes me sing (Bam-ba-Lam)
Whoa, Black Betty (Bam-ba-Lam)
Whoa, Black Betty
Bam-ba-lam

#RamJam #BlackBetty #Rock

Oldies Golden Memories - Best Romantic Old Soft Rock Playlist - Bee Gees, Phil Collins:https://youtu.be/FplRBb3px7U
Best Romantic Love Songs Golden Hits - Timeless Melodies: https://youtu.be/hywQ388h-A8
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03.Every Breath You Take - Cover By Robert Downey Jr
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Oldies But Goodies - The Best Soft Rock 70s 80s 90s - Lobo, Michael Bolton, Phil Collins, Tommy Shaw : https://youtu.be/Nglelwm4e2w

Soft Rock - Best 50s 60s 70s Timeless Soft Rock Love Songs Album - Lionel Richie, Lobo, Tommy Shaw: https://youtu.be/r80P2-uzaAw

Official Video for “Carry On Wayward Son” by Kansas
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Chorus:
Carry on, my wayward son
There'll be peace when you are done
Lay your weary head to rest
Don't you cry no more

#Kansas #CarryOnWaywardSon #Leftoverture #Rock

Official Video for ”A Man I'll Never Be” by Boston
Listen to Boston: https://Boston.lnk.to/listenYD
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Lyrics:
You look up at me
And somewhere in your mind you see
A man I'll never be
If only I could find a way
I'd feel like I'm the man you believe I am
And it's getting harder every day for me
To hide behind this dream you see
A man I'll never be

#Boston #AManIllNeverBe #OfficialVideo

Official HD Music Video for ”More Than a Feeling” by Boston
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Lyrics:
It's more than a feeling (more than a feeling)
When I hear that old song they used to play (more than a feeling)
And I begin dreaming (more than a feeling)
'Til I see Marianne walk away
I see my Marianne walking away

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